A Stroke of Royalty: The Tail of Dora-lee

A Stroke of Royalty: The Tail of Dora-lee

When Inspiration Strikes

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Images That Sparked Creativity

Our Leading Lady: Dora-Lee
Image from Google images - Credit to original artist.
Behind the Paintbrush: The Making of an Aztec Purr-incess!
1
Initial Sketch

Initial Sketch

The most important step is the first part. This is where all the design ideas come together on paper for the first time, and where you'll have a chance to make any changes to the vision! There was a lot of back and forth during this design process.

Making sure the headdress fit naturally and that the background details were recognizable without looking too crowded was...interesting, for sure! I actually fiddled with this design for at least 4 days, running each aspect by my client to make sure it was exactly what they had wanted.
2
First Steps

First Steps

Now I'm not going to lie to you, I was initially terrified for drawing this Aztec pattern! I wanted it to be as close as possible to the authentic design and my hand was so shaky when drawing it so I started there! That way, if i didn't like it, I was able to restart without losing too much time! We decided to use Quetzalcoatl - the feathered Serpent God of Creation and Wisdom- as they felt more in keeping with the overall design.

After that, it was time to lay the base colors for that stunning feather head-dress! I started by laying the deeper blues and blacks so that I would be able to layer greens, grays and whites over the top to create that vibrant turquoise finish.
3
From the Top

From the Top

So, I like to work from the top down with my portraits, to avoid any unintentional smudging - Even though it would have probably made more sense to detail Dora-lee first so there wasn't so much time invested before I detail the main focus! Either way, I've learned to trust the process so here we are!

I finished the headdress with a combination of Colored Pencils and Posca Pens to create the depth in the feathers and then it was time to return to completing the decorative details on the Aztec background
4
The Details

The Details

Now, if you own or know a tabby cat, you know that their head markings are like snowflakes - each one beautifully unique! Because of this, I knew i had to pay extra close attention to those markings. in making sure they were as close as possible to Dora-lee's.

I got her visible ear colored first so I could visualize the space better and then got to work getting those important markings in. honestly - it took me wayyyy longer than I would like to admit AND caused a small crying episode where I was adamant I wasn't good enough for this (oopsie! sometimes the mental health has a mind of its own haha!) but we got it done and I was so happy with how close I managed to get the final piece!
5
The Main Lady

The Main Lady

After finalizing those important head markings, it was time to finally start detailing our leading lady, starting off with those mesmerizing eyes! I took the time to make sure they were the right shades and tried to capture as much emotion as possible.

Next up was that beautiful statement necklace. I wanted to keep it as close to the inspiration piece, whilst also incorporating a flower design to represent her favorite blanket from the reference image!

I then moved on to building up a variety of cool and warm grays, before adding in some brown tones as well to create the range of colors in Dora-lee's beautiful coat. I took this strand-by-strand to replicate the complexity of her fur colors, but it was definitely worth it for the final product.
6
The Final Part

The Final Part

Finally, after 3 days of individual fur strands (and a repetative strain injury that lingered for weeks - totally worth it, imo) it was time to move onto the final stage of the background.

It has already been confirmed that having the Pyramid of the sun was an important aspect. but at this stage it was decided that giving the pyramid a more natural look would feel more fitting to the overall image.

I went back down the rabbit hole searching every angle I could find to see how it would look in different lights, and how it looks at different stages of the year and then got to work shading this final part in.